Studio Furniture of the Renwick Gallery Sc Edition Smithsonian American Art Museum
Renwick Gallery of the Smithsonian American Art Museum | |
U.South. National Annals of Historic Places | |
U.South. National Historic Landmark | |
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Location | 1661 Pennsylvania Avenue NW Washington, D.C. |
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Coordinates | 38°53′55.92″North 77°2′22.01″W / 38.8988667°N 77.0394472°Due west / 38.8988667; -77.0394472 Coordinates: 38°53′55.92″Northward 77°2′22.01″W / 38.8988667°North 77.0394472°W / 38.8988667; -77.0394472 |
Built | 1859–1873 |
Architect | James Renwick, Jr. |
Architectural style | Second Empire[2] |
NRHP referenceNo. | 69000300[1] |
Added to NRHP | March 24, 1969 |
The Renwick Gallery is a branch of the Smithsonian American Art Museum, located in Washington, D.C., and focuses on American craft and decorative arts from the 19th to the 21st century. Information technology is housed in a National Historic Landmark building that was begun in 1859 on Pennsylvania Avenue and originally housed the Corcoran Gallery of Art (now ane block from the White Firm and across the street from the Old Executive Part Edifice). When information technology was congenital in 1859, it was known equally "the American Louvre".
History [edit]
The Renwick Gallery building was originally built to be Washington, D.C.'s showtime fine art museum and to house William Wilson Corcoran's collection of American and European art. The building was designed by James Renwick, Jr. and finally completed in 1874.[3] [4] It is located at 1661 Pennsylvania Artery NW.[five] Renwick designed it later on the Louvre'south Tuileries add-on.[6] At the time of its structure, information technology was known as "the American Louvre".[7] [8]
The edifice was almost completion when the Civil War broke out and was seized past the U.S. Army in Baronial 1861 as a temporary military warehouse for the records and uniforms for the Quarter Master General's Corps.[9] In 1864, General Montgomery C. Meigs converted the building into his headquarters part.[9]
On May x, 1869, the building was returned to Corcoran, and, on January 19, 1874, the Corcoran Gallery of Art opened to the public.[3] [9] The gallery quickly outgrew the space and relocated to a new edifice nearby in 1897.[10] Starting in 1899, the building housed the federal Courtroom of Claims.[iii] By the 1950s, in demand of more space, the Court of Claims proposed to annihilate the building, however, it was saved from sabotage past Kickoff Lady Jacqueline Kennedy in 1963.[4] [6] [8] In 1965, President Lyndon B. Johnson and Secretary of the Smithsonian Southward. Dillon Ripley, proposed that the building be turned over to the Smithsonian.[3] [nine] [11]
In 1965, President Johnson signed an executive social club transferring the Renwick building to the Smithsonian Institution for employ every bit a "gallery of arts, craft and design."[three] Later a renovation under the management of Lloyd E. Herman[12] it opened in 1972 as the home of the Smithsonian American Art Museum'south contemporary arts and crafts programme.[three] [11] The Renwick Gallery is at present a co-operative of the Smithsonian American Art Museum, housing the museum's drove of decorative art and crafts.[iv] [half-dozen]
Closure for 2013–2015 renovation [edit]
Renwick Gallery closed December nine, 2013, in social club to permit a major renovation of the historic structure. The building was slightly damaged during the 2011 Washington D.C. convulsion, and the construction process required reworking of the original infrastructure.[13] The museum reopened on November thirteen, 2015 with an exhibition entitled Wonder featuring site-specific installation by nine artists.[14] [xv] The architectural renovation was led by Westlake Reed Leskosky, a Cleveland, Ohio–based architecture and engineering business firm[16] and construction was overseen by Consigli Construction Co. of Milford, Massachusetts.[16] Fundraising for the renovation began in 2013, and was completed in June 2014 when local financier and philanthropist David Rubenstein donated $5.four million toward the project. Smithsonian officials renamed the gallery's M Salon in Rubenstein's laurels.[xvi]
The renovation included replacing all HVAC, electrical, plumbing, and burn-suppression systems; upgrades to security, telephone, and data systems (including Wi-Fi installation throughout the building); restoring the original window configuration; restoring two vaulted ceilings on the second floor; reconfiguring the basement for staff offices and workshops;[sixteen] and adding LED lighting throughout the edifice.[14] The Renwick's K Salon was besides renovated to create a more gimmicky event space.[2] [7] [14] Applied Minds was chosen to create potential concepts for the Grand Salon.[17] The 4 other firms which competed for the renovation job and fabricated it to the final round but were not selected were Marlon Blackwell Architect, Studio Odile Decq, Vinci Hamp Architects, and Westlake Reed Leskosky.[ii]
Reopening [edit]
The Renwick Gallery opened its doors afterward renovation on Friday, November thirteen, 2015. Admission is free. The gallery is open daily from 10:00 a.m. to 5:30 p.yard.[18]
The commencement-flooring gallery typically featured temporary exhibits that rotated almost twice a year.[19] One commentator said, the crafts displayed "are high art, not everyday objects."[nineteen] Historically, the second floor Thou Salon has been i of the most famous art-filled rooms in Washington. For much of the museum's history, it was hung with lxx paintings by 51 American artists, most of them artworks created between 1840 and 1930, including landscapes, sentimental portraits, and classical themes, every bit well every bit portraits of tribal Native Americans by George Catlin. Since November 2015, the paintings are no longer on brandish, and the formal curtains, red carpeting, and red velvet furniture have all been removed. A number of the paintings were moved to the Smithsonian American Art Museum.[xx]
Exhibitions [edit]
In 2012, the Renwick Gallery hosted an exhibition chosen "40 Under forty: Craft Futures", which featured xl artists in "boundary-pushing interpretations of drinking glass, fiber, ceramic, forest and other materials challenge the traditional process-oriented notion of the craft medium past incorporating functioning, interactivity and politics."[21] [22]
The gallery'south visitors accept nigh doubled due to the popularity of the "Wonder" exhibition.[23] In Nov 2015, "Wonder" opened in celebration of the completion of a two-year renovation of the Renwick Gallery. The exhibition featured nine major gimmicky artists invited to install site-specific works on the theme of wonder in the ix exhibition spaces of the gallery. The artists chosen were Jennifer Angus, Chakaia Booker, Gabriel Dawe, Tara Donovan, Patrick Dougherty, Janet Echelman, John Grade, Maya Lin, and Leo Villareal.[24]
The artists were given freedom to create their installations.[25] Angus' piece, "In the Midnight Garden," featured over 5,000 bugs – beetles, moths, and cicadas[25] – in various patterns in a pinkish room.[26] Booker's "Bearding Donor" was made up of old tires and stainless steel.[27] Dawe'due south "Plexus A1" weaved a rainbow into the middle of i of the Renwick'southward rooms.[28] Donovan made her installation out of thousands of index cards.[28] Dougherty fabricated his installation, "Shindig," out of willow branches.[29] Echelman based her piece off of images from the National Oceanic and Atmospheric Administration that showed the affect of waves during the 2011 Japan tsunami.[25] Grade reassembled a mold of a hemlock tree over a century yr former. The piece is called "Middle Fork."[28] Lin chose to map out the Chesapeake Bay using marbles.[26] Villareal'southward LED chandelier hangs from the tiptop of the Renwick ceiling.[29]
Since Jan 2016, over 176,000 people have visited the gallery.[28] The "Wonder" exhibition is pop on social media,[30] and the Renwick has been tagged over twenty,000 times on Instagram by users.[28] Wonder closed after viii months and drew 732,000 viewers.[31] It was criticized for being inconsistent with the Renwick's commitment to American craft.[32]
The Renwick Craft Invitational is a biennial assessment of contemporary fine craft.[33] The 2016 exhibition featured works by Steven Young Lee, Kristen Morgin, Jennifer Trask, and Norwood Viviano.[34] Disrupting Arts and crafts: Renwick Invitational 2018 featured works by Tanya Aguiñiga, Sharif Bey, Dustin Farnsworth, and Stephanie Syjuco.[35]
Since 2011, the Renwick has hosted a quarterly "Handi-hr," a crafting-themed happy hour event, inspired by the DIY movement. In improver to craft activities for patrons, the 21+ effect features craft beers selected by Greg Engert of the ChurchKey eatery and pub in Washington, D.C.[36]
In 2019 the Renwick hosted an augmented reality exhibition past glass creative person Ginny Ruffner and digital collaborator Grant Kirkpatrick titled Reforestation of the Imagination.[37]
Notable artists in the collection [edit]
A number of well-known, critically acclaimed artists had works in the Renwick Gallery's collection, every bit of the November 2015 reopening near are no longer on display. Among them are:
- Margaret Drunk's Eight Red Bowls Maryland terracotta and pino sculpture.[38]
- Wendell Castle's Ghost Clock cloaks fourth dimension with trompe 50'oeil.[3] [4]
- Dale Chihuly's famous glass globules float in their sandbox sanctuaries.[three]
- Arline Fisch's silver Trunk Decoration [3]
- Larry Fuente's Game Fish made from a mounted sailfish and game accessories, such as die, poker chips, domino tiles, Scrabble letters, yo-yos, badminton shuttlecocks and Ping-Pong assurance.[3] [4]
- Sam Maloof's furniture[3]
- Maria Martinez
- Albert Paley
- Ginny Ruffner's Reforestation of the Imagination (with Grant Kirkpatrick), an augmented reality exhibition.[37]
- Judith Schaechter'due south A Piffling Torcher, a stained-glass creation depicting pyromania.[39]
- Kim Schmahmann's 1993–1999 Bureau of Bureaucracy, which is a "wooden cabinet total of cupboards to nowhere, abysmal drawers, drawers within drawers, hidden compartments, and more, a wonderful metaphor for the labyrinthine workings of government".[7]
See also [edit]
- Oak Hill Cemetery Chapel – some other structure in Washington, D.C., designed past James Renwick
- Smithsonian Institution Building – another construction in Washington, D.C., designed by James Renwick
- St. Patrick's Cathedral – James Renwick'due south magnum opus in New York Urban center
References [edit]
- ^ "National Register Data Arrangement". National Register of Celebrated Places. National Park Service. January 23, 2007.
- ^ a b c "Grand Salon gallery infinite inside the Renwick Gallery". Daily Art. Retrieved eighteen July 2013.
- ^ a b c d e f g h i j k Yardley, William. "Renwick Gallery of the Smithsonian American Art Museum". Washington Mail service. Archived from the original on 12 February 2011. Retrieved xviii July 2013.
- ^ a b c d eastward "Renwick Gallery of the Smithsonian American Art Museum". Frommers. Retrieved 18 July 2013.
- ^ Hours and Directions. Smithsonian American Art Museum. Retrieved September 9, 2013.
- ^ a b c Boyle, Katherine (February 18, 2013). "Renwick modeled it afterward the Louvre'due south Tuileries add-on". Washington Post . Retrieved 18 July 2013.
- ^ a b c "Renwick Gallery Review". Fodors. Retrieved 18 July 2013.
- ^ a b "Smithsonian Plans Overhaul of D.C.'s Renwick Gallery". The Associated Press. February nineteen, 2013. Retrieved 18 July 2013.
- ^ a b c d "Renwick Gallery of the Smithsonian Institution". US Natipnal Park Service. Retrieved 18 July 2013.
- ^ Reed, Robert (1980). Quondam Washington, D.C. in Early Photographs: 1846–1932 . Dover Publications. p. 127. ISBN9780486238692.
- ^ a b "Architectural History of the Renwick Gallery" Archived 2008-06-06 at the Wayback Machine
- ^ "Oral history interview with Lloyd e. Herman, 2010 Sept. 21".
- ^ "Inside the High-Tech Makeover of America's Oldest Art Museum Edifice". CityLab . Retrieved 2016-05-03 .
- ^ a b c Boyle, Katherine (18 February 2013). "Starting in 2014, the Renwick Gallery underwent major ii-year renovations". Washington Post . Retrieved 2013-11-10 .
- ^ "Renwick Gallery Reopening Announced by Smithsonian American Art Museum". Newsroom of the Smithsonian. Smithsonian Institution. Retrieved viii July 2015.
- ^ a b c d Echols, Tucker (June 24, 2014). "David Rubenstein Gives $5.4M for Renwick Gallery Renovation". Washington Business organisation Journal . Retrieved June 24, 2014.
- ^ "Practical Minds Renwick design". Daily Art. Retrieved 18 July 2013.
- ^ "Visit the Renwick Gallery".
- ^ a b Yardley, William. "Renwick Gallery of the Smithsonian American Art Museum". Washington Post. Archived from the original on 12 Feb 2011. Retrieved 18 July 2013.
- ^ "Renwick Gallery of the Smithsonian American Art Museum". Frommers. Retrieved 18 July 2013.
- ^ "xl Nether 40: Arts and crafts Futures". Washington Post. July 20, 2012. Archived from the original on July eighteen, 2013. Retrieved 18 July 2013.
- ^ O'Sullivan, Michael (January xviii, 2013). "Craft Futures Handi-Hour". Washington Post. Archived from the original on July 18, 2013. Retrieved 18 July 2013.
- ^ 5, Hillary Kelly on Feb; 2016 (2016-02-05). "What the Heck Is Going on With the Renwick Gallery?". Washingtonian . Retrieved 2016-05-03 .
{{cite web}}
: CS1 maint: numeric names: authors list (link) - ^ Calos, Katherine (17 April 2016). "Sense of Wonder:Nine artists capture the imagination of visitors to Washington'due south Renwick". Richmond Times-Dispatch. p. G17.
- ^ a b c Twitter, Elizabeth Blair Facebook. "This Art Exhibit Makes You 'Wonder' — And That'south The Whole Indicate". NPR.org . Retrieved 2016-05-03 .
- ^ a b Bowley, Graham (2015-11-12). "Smithsonian'due south Renwick Gallery Reopens With a New Focus". The New York Times. ISSN 0362-4331. Retrieved 2016-05-03 .
- ^ "Take a Look Inside the Renwick Gallery'southward Bewildering Reopening Exhibition". Washingtonian. 2015-11-04. Retrieved 2016-05-03 .
- ^ a b c d due east Judkis, Maura (2016-01-07). "The Renwick is all of a sudden Instagram famous. But what about the fine art?". The Washington Mail. ISSN 0190-8286. Retrieved 2016-05-03 .
- ^ a b "Scout now: WETA Around Town | Wonder | WETA Video". PBS Video . Retrieved 2016-05-03 .
- ^ "The D.C. Art Exhibit That'due south Blowing Up on Instagram". Garden & Gun. 2016-02-13. Retrieved 2016-05-03 .
- ^ Capps, Kriston (18 Baronial 2016). "Art Blanche:D.C.'s museums have embraced big splashy social media-friendly exhibitions. Just is that good for fine art?". washingtoncitypaper.com . Retrieved 2016-11-03 .
- ^ Capps, Kriston (13 November 2015). ""Wonder" at the Renwick Gallery, Reviewed". washingtoncitypaper.com . Retrieved 2016-xi-03 .
- ^ O'Sullivan, Michael. "Renwick Arts and crafts Invitational: Boger, Yuh, Newport, Van Cline". washingtonpost.com . Retrieved 2016-xi-03 .
- ^ "Visions and Revisions: Renwick Invitational 2016". americanart.si.edu/ . Retrieved 2016-11-03 .
- ^ "Disrupting Craft: Renwick Invitational 2018". Smithsonian American Art Museum . Retrieved 2019-10-08 .
- ^ "Handi-Hour: Q&A with Katie Crooks". Eyelevel. Smithsonian American Art Museum. Apr 26, 2011. Retrieved 9 July 2015.
- ^ a b "Ginny Ruffner: Reforestation of the Imagination | Smithsonian American Art Museum". americanart.si.edu . Retrieved 2021-09-11 .
- ^ "Eight Red Bowls". Collections. Smithsonian American Art Museum. Retrieved 19 July 2013.
- ^ John Kelly and Craig Stoltz. "Renwick Gallery of the Smithsonian American Art Museum". Washington Mail. Archived from the original on 12 February 2011. Retrieved 18 July 2013.
Further reading [edit]
- Trapp, Kenneth; Risatti, Howard (1998). Skilled Work: American Craft in the Renwick Gallery . Washington, D.C.: Smithsonian Institution Press. ISBN1560988312.
External links [edit]
- Smithsonian American Art Museum's official Spider web site
jacksonkrounist44.blogspot.com
Source: https://en.wikipedia.org/wiki/Renwick_Gallery
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